Smiths On Guitar: chiasson65

Showing posts with label chiasson65. Show all posts

You've Got Everything Now

"I was in a shop on tour recently and they were playing Hatful... -'You've Got Everything Now' and 'Accept Yourself' I heard for the first time in years. And I was surprised by the complexity of the music on those songs. Because they really were our early songs. Chords I'd been playing from being 16. You can hear our girl group influence, yeah. I was super obsessive about The Shangri Las and The Marvelettes..."

- Johnny Marr

I have posted a Guitar Pro tab file here.

Here are the scans from the Complete Chord Dictionary:

Here are the scans from the debut album piano book:

Daniel Earwicker contributed his usual awesome multi-instrumental version:

Here, he did another close up instructional style video of the left and right hands. It would be great to have more videos like this:

chiasson65 does a great bass cover here:

Still Ill

"Looking back on the first album now I can say that I'm not as madly keen on it as I was. I think that a lot of the fire was missing on it and most of our supporters realise that as well. Although having said that, 'Still Ill' and 'Suffer Little Children' and 'Hand That Rocks' are all still great songs."

"'Still Ill' came to me on the train back from London to Manchester around the time of Hand In Glove's release."

- Johnny Marr

I have posted a Guitar Pro tab file here(right click to save as).

Here are the scans from the Complete Chord Dictionary:

I have also uploaded the version from the debut album piano songbook with guitar chords, for whatever that's worth... very little, I suspect:

lunachangue does a very good cover on his hollowbody:

sonofdrcross does another really accurate version:

Daniel Earwicker does a great version on Rick 330 and bass:

hughred follows everyone up with yet another really cool version:

cdwheel does a great version here:

nicknoh69 does another really accurate version here:

IngialV does an awesome cover of Andy Rourkes bass. This has got to be one of my favorite smiths bass parts. Kind of a menacing counterpoint to Marr's part.

chiasson65 does another great version of the bass part:

Here's a rollicking take on the Hatful version by 325C58 on guitars and bass, and Daniel Earwicker adds drums:

keithbtv does a nice acoustic version here:

johnnymare does a great full length version here:

Here's davidguitarist91 on his Les Paul:

There Is A Light That Never Goes Out

"I remember being in a Pizzaland in Altrincham, giving the waitress my order - yeah, yeah, cheese and tomato, all that - and she said, You know the strings on 'There Is A Light' - is that an emulator or is it played? (Laughs) I was like, Whaaat? Are you fuckin' joking or what? What a fucking question!"

-Mike Joyce

"I think if we'd had a string quartet at the time we would have used it. But the fact that there was a keyboard there at the time... We just made it sound as real as possible."

"I was a bit fucked up, but I also had the worst roadie in the world. Throughout the set, me and Johnny used two tunings: one in F sharp and one in E, 'cos of Morrissey's range. Out of four or five gigs, this guy got it right once. I'd say, Right — There Is A Light That Never Goes Out. Pass me the one in F sharp. He'd pass me the E bass, and I'd be a tone out."

-Andy Rourke

"If we needed some songs fast, then Morrissey would come round to my place and I'd sit there with an acoustic guitar and a cassette recorder. 'There Is A Light That Never Goes Out' was done that way."

"Morrissey was sat on a coffee table, perched on the edge. I was sat with my guitar on a chair directly in front of him. He had A Sony Walkman recording, waiting to hear what I was gonna pull out. So I said, 'Well, I've got this one' and I started playing these chords. He just looked at me as I was playing. It was as if he daren't speak, in case the spell was broke."

"We recorded 'There Is A Light That Never Goes Out' in 10 minutes. I went on to add some flute overdub and strings and a couple of extra guitars, but really, the essence and the spirit of it was captured straight away, and that normally means that something's gone really, really right. I have a version of that take with just the three instruments and the voice on it – it absolutely holds up as a beautiful moment in time. The Smiths were all in love with the sound that we were making. We loved it as much as everyone else, but we were lucky enough to be the ones playing it."

"I didn't realise that 'There Is A Light' was going to be an anthem but when we first played it I thought it was the best song I'd ever heard. There's a little in-joke in there just to illustrate how intellectual I was getting. At the time everyone was into the Velvet Underground and they stole the intro to 'There She Goes' - da da da-da, da da-da-da, Dah Dah! - from the Rolling Stones version of 'Hitchhike,' the Marvin Gaye song. I just wanted to put that in to see whether the press would say, Oh it's the Velvet Underground! Cos I knew that I was smarter than that. I was listening to what The Velvet Underground was listening to."

-Johnny Marr

I have found an extended version of the Johnny Marr BBC video that I posted earlier. Here, he plays more of "There is a light" all the way up to the end of a verse, and the sound isn't faded out like it was in the first video. I have to say, this clip gives me chills. It's just so cool to see him up close playing a Smiths song.

This video has a different camera angle, which might be helpful.

Here is Johnny playing it at 7 Worlds Collide, you can also get some good angles of his playing. Thanks go to lordez185 for shooting this video:

Guitar Pro tabs for this song are here(right-click to save). There are 2 different versions of the tab that I've included... one has 7 tracks, one has 3. There is also a tab of Johnny's arpeggio from the BBC segment above, submitted by Mathieu.

Here are the tabs from the Singles book:

Here are the scans from the Smiths Best Complete Score:

Here are the scans from the Complete Chord Dictionary:

Here are the scans from the Queen Is Dead piano book, with guitar chord boxes:

Here is a breadown lesson of the BBC chords and riff by 74949 on youtube:

Here's the evergreen Daniel Earwicker with another spot on cover:

djs1986 gives another multi-instrumental take, inspired by Daniel's version above:

Jahnli does a really nice version here, with a gentle vocal arrangement:

TboneWilson1978 uploaded a cool lesson here:

IrishBog does his take on Johnny's playing from the BBC video:

Here's davidguitarist91 on his Les Paul:

chiasson65 contributes another spot-on bass cover:

This Charming Man

"Of all our singles I think I like 'This Charming Man' best, just because the rhythms are so infectious. Smiths music really moves me."

- Andy Rourke

"A couple of days before I wrote 'This Charming Man' I'd heard 'Walk Out To Winter' (by Aztec Camera) on Radio 1, and I felt a little jealous. My competitive urges kicked in. I felt that we needed something up-beat and in a major key for Rough Trade to get behind. That's why I wrote it in the key of G, which to this day I rarely do. I knew that 'This Charming Man' would be our next single. I did the whole thing in one go into this TEAC 3-track tape recorder that I used to write on. I came up with the basic chords and immediately overdubbed the top line and intro riff."

"I wrote This Charming Man for a John Peel session. I just leapt out of bed and wrote it. It was the culmination of trying to find a way of playing that was non-rock but still expressed my personality. I felt we needed something more upbeat in a different key and was miffed that Aztec Camera's Roddy Frame was getting on the radio and we weren't. That's why it's got that sunny disposition; my usual default setting was Manchester in the rain. When we were recording it, Rough Trade's Geoff Travis came in and said: 'That's got to be the single.'"

"I remember writing it, it was in preparation for a John Peel single. I wrote it the same night as 'Pretty Girls Make Graves' and 'Still Ill'."

"'This Charming Man' was the first record where I used those highlife-sounding runs in 3rds. I'm tuned up to F# and I finger it in G, so it comes out in A. There are about 15 tracks of guitar. People thought the main guitar part was a Rickenbacker, but it's really a '54 Tele. There are three tracks of acoustic, a backwards guitar with a really long reverb, and the effect of dropping knives on the guitar -- that comes in at the end of the chorus."

"I don't want to be playing 'This Charming Man' when I'm... 22."

- Johnny Marr

Here is a great video of Johnny looping the rhythm part and overdubbing the lead:

Notice he starts the riff on the second and third strings, around the twelfth fret(14th if you have his usual 2nd fret capo on).

I have uploaded several Guitar Pro tab files here. Each file has several different guitar tracks, some with bass tracks as well. I have uploaded a multitrack for the song here. This has the isolated guitar and bass parts, and it's a great tool for learning the song.

Here are the scans from the Singles tab book: